“富图宝杯”中国野生动物摄影大赛

为贯彻习近平生态文明思想，践行“绿水青山就是金山银山”的理念，坚持“用影像保护自然”的宗旨，树立尊重自然、顺应自然、保护自然的生态价值观，促进人与自然和谐共生，中国鸟网决定举办2026年“富图宝杯”中国野生动物摄影大赛。本届大赛将采用国际通用的摄影比赛规则，面向国内外摄影师征稿。

主办单位：广东富图宝影像工业有限公司
                 秦皇岛市鸟类及生存环境保护协会
                 中国鸟网

支持单位：北京广播电视台纪实科教频道
                 秦皇岛鸟类博物馆
                 深圳大鲸鱼有限公司
                 北京奇乐商贸有限公司
                 艺卓显像技术（苏州）有限公司
                 索尼(中国)有限公司

一、大赛组别

1、野生鸟类组：仅彩色图片，野生鸟类肖像、环境、故事等图片。

2、野生动物组：仅彩色图片，除鸟类以外其他野生动物图片（含微距）。

3、自然风光组：彩色、黑白均可，自然、人文、风光、动植物等图片。

4、彩色开放组：仅彩色图片，人物、动物、城市、建筑、风光、创意等图片。

二、奖项设置

（一）金奖4名，银奖4名，铜奖4名，优秀奖40名，入围奖120名。

金奖：奖励价值5000元奖品

银奖：奖励价值3000元奖品

铜奖：奖励价值1000元奖品

优秀奖：奖励价值500元奖品

入围奖：奖励价值200元奖品

以上获奖者奖品均为现场颁发，同时颁发中国鸟网荣誉证书。

（二）摄影师积分奖励：

1、中国生态摄影师积分：金奖积150分，银奖积120分，铜奖积90分，优秀奖积20分，入围奖积10分。

2、国际自然摄影师积分：金奖积6分，银奖积5分，铜奖积4分，优秀奖积2分，入围奖积1分。

3、为全体参赛人员免费赠送《“富图宝杯”中国野生动物摄影大赛获奖作品》电子版画册。

三、投稿须知

1、本届大赛为免费参赛，每人每组最多可投10张照片，本届大赛不接受组图。

2、同一幅照片只能参加一个组别，不得重复投稿。

3、在同一组别中不得提交相同或相似的照片。

4、每张作品必须有一个标题，标题中不能含有任何符号且不能超过35个字符。

5、图片中不得包含任何人为元素，如签名、水印、LOGO等任何可以识别的痕迹。

6、本届大赛只接受数码图像投稿，所有投稿作品：作品必须是JPG格式，长边不超过1920像素，分辨率为300dpi，文件在3MB左右，色彩空间为sRGB。

7、除【彩色开放组】以外，其他各组均不能改变原始影像，不能增减图片元素。

四、大赛规则

1、本届大赛面向世界范围内摄影师征稿。

2、所有参赛作品必须符合国家的法律法规，符合主流价值观，不违背公序良俗。

3、参赛作品及后期制作，必须全部由作者本人完成并拥有版权，作品中涉及的肖像权、著作权、名誉权等问题及因此引起的纠纷均由作者负责。

4、在以往中国鸟网组织的国际摄影赛事中入围以上的获奖作品，均不得再次投稿本届大赛。

5、参赛作品一旦被发现违反了参赛规则，主办方有权取消该作品的参赛资格及所获得的任何奖项。

6、本届大赛入围奖及以上作品，获奖作者需向主办方提供该图像相机直出的RAW文件（公开类提供RAW原图或大图均可），逾期不提供者被视为放弃该奖项。

7、所有获奖作品，主办方获得不限时间之使用权，将其用于非商业性相关活动宣传，包括开展主题展览、出版画册、媒体宣传等，不再另付稿酬。

8、参赛者所提交的作品将以随机次序呈现给本届大赛裁判。

五、投稿时间安排

1、投稿时间：2026年8月20日-10月15日23时59分止。

2、评选时间：2026年10月16日

3、公示时间：2026年10月20日

4、表彰时间：在鸟网2026年鸟网年会上

大赛认证及裁判规则

1、本届大赛采用国际摄影比赛规则进行裁判。

2、本届大赛评审工作由裁判委员会组织安排。

3、每个组别分别由三名裁判组成，临时决定。

4、裁判委员会保留确定作品分类的权利。

5、裁判委员会的评选结果将视为最终结果。

6、裁判委员会保留对本届比赛规则的解释权。

我的作品

China Birdnet 2018 International Nature and Landscape

Photographic Competition (INLPC)

The 2018 International Nature and Landscape Photographic Competition (INLPC) are accepting submissions now.

The theme of this year’s competition is: Respect Nature, Respect Life.

This competition is organized by the China Birdnet,

This competition is sponsored by Nikon China ltd

This competition is hosted by Chi Shan Hu Wetland Wildness Park ltd

This Competition is following the guidance of China Wildlife Conservation Association; National Zoology Museum of China; China Zoological Society.

Patronage of this competition: CAPA (Canadian Association for Photographic Art).This competition will be awarded by CAPA’s medals and awards.

1.Category and Division

This competition is divided into two categories and three divisions:

1.Division-Authentic Wildlife (Nature Category) ： Photographs of wonderful moments, stories, relationships, humor, etc. of birds and other wildlife, but they do not contain any artificial elements shows “hand of man” such as roads, houses, fences, wires, etc.. This competition does not accept image contain bird nest.( To avoid any incidents which interfere with young wildlife’s in nesting environments).

2.Division-Authentic Wild Bird (Nature Category) ： Photographs of wonderful moments, stories, relationships, humor, etc. of wild birds, images should not contain any artificial elements shows “hand of man” such as roads, houses, fences, wires, etc.. This competition does not accept image contain animal den or bird nest.( To avoid any incidents which interfere with young bird’s in nesting environments).

3.Division-Landscape Nature (Nature Category): This category refers to the pure natural scenery photography, images may contain wildlife and other natural environment elements in the works, but cannot contain roads, houses, fences, bridges, wires, etc. any artificial elements shows “hand of man ”.

4. Division-Pictorial (Open Category): Including all of the above categories of photography subjects and more, such as scenery, animals, architecture, figures, humanities, events, PS, post processing do not meet above categories, etc., can participate in this category of competition.

2.Category Definition

(1)Nature

1. Nature photography is restricted to the use of the photographic process to depict observations from all branches of natural history, except anthropology and archeology, in such a fashion that a well-informed person will be able to identify the subject material and to certify as to its honest presentation.

2. The story telling value of a photograph must be weighed more than the pictorial quality while maintaining high technical quality.

3. Human elements shall not be present, except on the rare occasion where those human elements enhance the nature story.

4. The presence of scientific bands, scientific tags or radio collars on wild animals is permissible.

5. Photographs of artificially produced hybrid plants or animals, mounted specimens, or obviously set arrangements, are ineligible, as is any form of manipulation that alters the truth of the photographic statement.

6. No techniques that add to, relocate, replace, or remove pictorial elements except by cropping are permitted.

7. Techniques that enhance the presentation of the photograph without changing the nature story or the pictorial content are permitted (e.g. adjustment of exposure, brightness, contrast, levels etc. globally or partially are permitted) ,any changes of digital pixel physical characteristic like“ blur” is not allowed(e.g. a well-focused subject become blurry); All images must be back up by RAW file. The judging committee reserve rights to obtain the original file of image to determine the award in case of dispute.

8. All adjustments must appear natural.

9. This competition accept monochrome image submission.

Usage of filter, digital post-processing techniques such as HDR / Exposure-Bracketing, focus stacking ,Long Exposure are permitted but should be kept minimal and look natural, image stitch is not allowed.

11. Divisions of Nature category:

A. Authentic Wildlife: Authentic wildlife is defined as one or more organisms living free and unrestrained in a natural or adopted habitat. Therefore, landscapes, photographs of zoo or game farm animals or any living subject taken under controlled conditions are not eligible for Authentic Wildlife competitions.

This competition does not accept image contain bird nest.( To avoid any incidents which interfere with young wildlife’s in nesting environments).

B. Authentic Wild Bird: Authentic wild bird is defined as one or more wild bird living free and unrestrained in a natural or adopted habitat. Therefore, landscapes, photographs of zoo or game farm birds or any living subject taken under controlled conditions are not eligible for Authentic Wild Bird competitions.

This competition does not accept image contain bird nest. (To avoid any incidents which interfere with young bird’s in nesting environments). C. Landscape Nature: In this sub-classification you can enter: landscapes, extreme weather conditions, rock formations, etc. Hand of man such as roads, fences, houses etc., should not be present.

Some images may be eligible entry more than one categories (e.g. image of an elephant stands under a mountain), they will be judged without bias with categories maker entered, and however, it is maker’s responsibility to determine which category to enter. Each image can only be submitted into one sub-category.

(2)OPEN PICTORIAL

In this division you can enter any image with a person or persons in whole or in part(e.g. An image of two holding hands, a portrait, a folk celebration scene of a village, a boy play with a dog .etc) can be enter in this category. You can also enter landscape with subject shows hand of man(e.g. manmade ladder field, Lake Louise shows boat house , bridge, building etc) and human interact with nature (e.g. a herder try to tame wild horse, a fish man spreading net by the ocean, etc.) It also includes post processing works that meet or do not meet the above division requirements.

For the purposes of promoting originality and creativity, this competition does not encourage staged image except studio portrait shot.

3.Award

1. Each division’s first, second and third place will be awarded 1 Canadian Association for Photographic Art( CAPA)’s gold, silver and bronze medal respectively. Each division will also award 3 outstanding Best of Award (such as the award for Best of Visual Impact, etc.), 10 Ribbon Award(Award of excellence), 50 Acceptance Award .

There are no restrictions on the number of awards an individual photographer may win.

There will be total 264 awards for the competition.

Each participant will receive a copy of the winning catalogue of 2018 Wildlife Photographic Competition.

The photographer whose winning images have the highest combine Award Accumulating Point (AAP, see below) will be granted the title of“2017 Nature Photographer of The Year”.

2.Rewards and incentives:

Gold : (6 AAP), CAPA gold medal and certificate ,$5,000 USD .

Silver:(5 AAP) , CAPA silver medal and certificate.$2,000 USD

Bronze:(4 AAP), CAPA bronze medal and certificate , $ 1,000 USD,

The Best of Award:(3 AAP), Trophy and certificate, $200 USD,

The Ribbon Award:(2 AAP), Ribbon and certificate, $ 100 USD,

The Acceptance Award:(1 AAP), Certificates.

3, The Grand Prize: 2018 Nature Photographer of The Year (the photographer who has highest AAP of the competition): $ 10,000 USD, a trophy and certificate.

4, According to the International Federation of Photographic Art (FIAP) practice, the competition organizers - China Birdnet will publish winning catalogue of 2018 International Nature and Landscape Photographic Competition.

Photographic Competition (INLPC), all winning finalists are required to provide larger (more than 2000px longer side, resolution 200dpi ,color space, sRGB), for the catalogue production.

5, The AAP of this competition will transfer into the implementation of Birdnet Accumulating Point System (transfer standard will be published separately), an important basis for China Birdnet membership promotion, reward and participate in social activities.

6. The gold, silver and bronze medals of this competition were provided and awarded by CAPA.

7. The competition winning certificate by CAPA and China Birdnet.

4. Submission Requirement

1. Submitting Entries: Your digital files must be submitted electronically, using the provided website Entry Form.

2. Image Type and Size: JEPG is the required file type.

a. The maximum image size is 1400 X1050 pixels.

b. DPI (Dots per Inch) should be set to 300.

c. Each image file must be three megabyte (3MB) or less in size.

3. Judging Conditions: All digital images will be displayed to the judges at the Sponsor’s designated premises through a digital projector. Color space sRGB. Digital projector has resolution of 1920x1080 pixel, so all images will be shown in a best resolution.

4. Colour Space: It is recommended that before saving your JEPG files, you convert the colour space to sRGB, as this colour space will provide better quality under the projection conditions used for judging, and for the public presentation.

5. Rules Governing Competitions:

This Competition will follow the recommended practices of CAPA, FIAP,

All entries must comply with state laws and regulations, must be work of its maker only; Photographing and post-processing work must be completed by its maker and owns the copyright.

This competition is open to everyone.

Organizing Committee and Judging Committee reserve the right to reject and disqualify images does meet requirement of competition rules under reasonable judgment.

DEFINITIONS

1. An image must originate as a photograph (image-capture of objects via light sensitivity) made by the entrant on photographic emulsion (i.e. film) or acquired digitally.

2. All components of an image must have been captured with a camera (conventional or digital) by the entrant. An image or any component of an image, whether digital or otherwise, may not have originated otherwise; for example, a digital file acquired by use of a scanner, a digital file created solely by way of software or a downloaded digital file cannot be used as a component of an image. Similarly, graphic elements that are generated solely by software (e.g. words or letters, symbols, shapes etc.) cannot be used as a component of an image except where specifically required or allowed (e.g. title images in a series) or in photo essays and creative images so long as such graphic elements are incidental (e.g. titles).

Creative Borders are permissible in all categories, however borders in the Authentic Wildlife category should only be for the purpose of marking the starting point of an image ,the width of border should not exceed 1 pixel’s on each side, and should be a neutral grey color.

3. All images and components of an image must be the entire work of the entrant. In determining whether an image is the entire work of the entrant, the following rules are applicable:

a. A component of an image that may otherwise be considered to be the work of someone other than the entrant is permissible provided that it is obvious that such component is not the work of the entrant (e.g. a picture of a sculpture or a billboard). There should be no uncertainty as to what work is that of the entrant and what work might be that of someone else. For example, a photograph of an Ansel Adams photograph would not be permissible but a photograph of someone looking at an Ansel Adams photograph hanging on the wall would be permissible.

b. Substantial input by persons other than the entrant in making an image are not permitted, except in the case of photo essays where there may be two, but not more than two, joint entrants both of which must be Club members. For example, images taken at studio workshops or in similar circumstances where persons other than the entrant are assisting or collaborating in the making of the image are not permissible.

c. All work in creating an image that involves the application of more than nominal skill must be done by the entrant. Conversely, work that is substantially mechanical or involves standard functions may be done by third parties including commercial firms.

The following examples, while not exhaustive, are intended to illustrate the application of this rule:

i. Commercial processing of negative and positive film (including “push” or “pull” processing) is permissible.

ii. Standard commercial scanning of slides and/or prints into digital files is permissible; commercial “customized” scanning is not.

6. Conditions of Entry

1. An entrant may enter up to 10 images in eachof four divisions; an entrant can enter up to 40 images in total in this competition.

2. Image titles are to be titled in English,(organizing committee will arrange Chinese to English translation) and each image must have a unique title. Titles should use upper case letters and/or numbers. Do not use punctuation or symbols, such as the following: !@#$%^&*(){}|+:"<>?

3. The maximum title length is 35 characters, which includes spaces.

4. Images almost identical in style and subject matter are not eligible for re-submission in any category.

5. Each Division will be judged by a panel of three qualified judges.

6. Entrants must own the copyright of images used in any submitted work. The organizers of this competition accept no liability for any breach or misuse of copyright.

7. Entries must originate as photographs (image-captures of objects via light sensitivity) made by the entrant on photographic emulsion or acquired digitally. By virtue of submitting an entry, the entrant certifies the work as his/her own and permits the sponsor to reproduce all or part of the entered material free of charge for publication and/or display in media related to the exhibition, while the make still retains copyright of the image. This may include low resolution posting on a website.

8. Images may be altered, either electronically or otherwise (Photoshop, Lightroom, etc.), by the maker and artwork or computer graphics created by the entrant may be incorporated if the photographic content predominates, subject to category restrictions. The competition organizers will take great care of the entered work but decline any responsibility in case of loss, theft or deterioration , damage during transit, or otherwise.

9. Every entrant can enter 10 images in total in each division; there is no series images division, all images will be judged by its own merit.

10. Entries received after the closing date will NOT be accepted.

11. The judging committee reserve rights to determine the eligibility of entry in all categories.

12. The judging committee reserve rights to explain the rules of competition.

7. Submission Fees:

First 1-4images (including 4 images) in any combination of divisions: $30.00 CAD. From fifth image and more: $12.50CAD/each image.

(Please note that one entrant can only submit maximum 10 images in each division)

1. Submission Due Date: 11:59 PM Eastern Standard Time, September 09, 2018.

2. Submission Page: www.birdnet.ca

3. In accordance with international competition practices, to ensure the Fairness, Impartiality and Openness of the competition, all score of entries will be published in the result form on www. birdnet.cn./www. birdnet.ca

8. Patronage and Judging Committee

1. This Competition will follow the recommended practices of CAPA, FIAP,

2. Patronage of this competition: CAPA ---Canadian Association for Photographic Art

3. Judging Committee

A. Committee Chairman: Jeffrey Wu

B. Competition Chair & Committee vice Chairman: Rod Trider

C. Competition Judges: CAPA Certified Judges: Jeffrey Wu, Rod Trider, Jonathan Ward, Wenke Duan ,Wenju Duan & CAPA Trained Judges (To be announced)

4. Judging Venue: To be announced.